ARHANORY Ladies Delicate Gold Bracelet Chain Women Bracelets

This ARHANORY square titanium bracelet is sleek and classic. Crafted from gold coloured metal, the flat chain features 12 titanium squares, 4 of which are laser engraved with the word “LOVE”, signifying commitment and constant companionship. Team with other pieces from the ARHANORY collection for an elegant and classic look.

12 titanium steel cubes
Gold coloured stainless steels finish
Lobster clasp
Net weight: 8.5g
Adjustable length: 17.5 - 22.5cm
Comes with a PU leather gift bag (printed with ARHANORY logo).
Suitable for birthday/graduation/valentine's day gifts

PRODUCT STORIES

Inspired by the veins of the earth, they are refined into a radiance on the wrist---In Africa, a land of vibrant stories, rivers are the veins of life, nourishing everything and connecting communities, symbolising the flow of energy, prosperity and continuity. The ‘Light of the Golden Stream’ bracelet draws its inspiration from this magnificent natural landscape. It is no longer just a piece of jewellery, but a river of blessings flowing on the wrist, carrying the power of love, connection and resilience.

BRAND STORY

Between the sunsets of the Sahara and the snows of Kilimanjaro, the continent of Africa has always throbbed with an untamed heart of fashion - and ARHANORY was born here.

In 2019, while travelling through the highlands of Kenya, founder AFK stumbled into a bar mitzvah for Maasai maidens. The cascading coloured beads around their necks shone in the firelight, the brass bracelets on their wrists tinkled with the dance, and ancient totems collided with modern vitality at this moment. At that moment, a thought was born: to dedicate the wild beauty of the African earth to all souls who are not willing to be mediocre.

The name ARHANORY comes from the combination of the Swahili words ‘Amani’ (peace) and “Dhahabu” (gold), which means ‘to transmit peace and splendour through jewellery’. Amani‘ (peace) and ’Dhahabu" (gold). We went deep into the tribes of Africa, collaborating with brass smiths in Ghana, glaziers in Ethiopia, and ostrich egg carvers in South Africa to deconstruct millennia-old craftsmanship into the language of contemporary design. Each piece is a dialogue between African stories and European and American minimalist trends.