ARHANORY Copper Ring for Women Simple Fashion Rings

This ARHANORY square ring is crafted from gold-coloured copper metal and has a modern geometric aesthetic with its integrated design. Pair with other pieces from the ARHANORY collection for a stylish look.

• Square ring face
• Copper gold finish
• Adjustable design
• Net weight: 4.2g
• Comes with a PU leather gift bag (printed with ARHANORY logo)
• Suitable for birthday/graduation/valentine's day gifts
• The copper luster changes with the light, showing low-key luxury
• At the dinner party, the copper luster changes with the light, showing understated luxury
• ???? Maintenance tip: Copper will produce a natural coating over time, forming a unique luster

PRODUCT STORIES

Inspired by the arm band of a Maasai warrior, the long square element of this ring symbolises the solidity and resilience of the African earth. Each ring carries the metal forging wis-dom of our ancestors. Just as our ancestors believed that copper brings protection and strength, this ring will be a guardian of your life's journey. Its sturdiness reminds us that true beauty stands the test of time.

BRAND STORY

Between the sunsets of the Sahara and the snows of Kilimanjaro, the continent of Africa has always throbbed with an untamed heart of fashion - and ARHANORY was born here.

In 2019, while travelling through the highlands of Kenya, founder AFK stumbled into a bar mitzvah for Maasai maidens. The cascading coloured beads around their necks shone in the firelight, the brass bracelets on their wrists tinkled with the dance, and ancient totems collided with modern vitality at this moment. At that moment, a thought was born: to dedicate the wild beauty of the African earth to all souls who are not willing to be mediocre.

The name ARHANORY comes from the combination of the Swahili words ‘Amani’ (peace) and “Dhahabu” (gold), which means ‘to transmit peace and splendour through jewellery’. Amani‘ (peace) and ’Dhahabu" (gold). We went deep into the tribes of Africa, collaborating with brass smiths in Ghana, glaziers in Ethiopia, and ostrich egg carvers in South Africa to deconstruct millennia-old craftsmanship into the language of contemporary design. Each piece is a dialogue between African stories and European and American minimalist trends.