ARHANORY Gold Snake Bracelet for Ladies

Elegant and minimalist, this ARHANORY snake bracelet is crafted from a slim gold-tone finish alloy chain with a snake logo at the centre. Pair with other pieces from the ARHANORY collection for an elegant and classic look.

Snake logo
Gold coloured alloy finish
Lobster clasp
Net weight: 3.6g / 0.0079lb
Adjustable length: 20 - 25cm
Snake logo size: 3.8 x 1cm (L x W) / 1.5 x 0.39cm (L x W) 
Comes with a PU leather gift bag (printed with ARHANORY logo).
Suitable for birthday/graduation/valentine's day gifts

Give it to your best friend as a promotion gift, she says she touches the snake tag before every negotiation to get her confidence back

PRODUCT STORIES

The Thousand-Year Blessing of the Serpent Totem---In ancient African legend, the snake is a symbol of wis-dom and rebirth. Chiefs of the Ashanti tribe in Ghana wore snake-shaped gold jewellery to assert their authority, while the Dagon people of West Africa believe that the snake connects the energies of heaven and earth. The 3.8cm snake symbol on this bracelet reinterprets the African mystical totem in modern minimalist lines, infusing you with boldness and insight.

BRAND STORY

Between the sunsets of the Sahara and the snows of Kilimanjaro, the continent of Africa has always throbbed with an untamed heart of fashion - and ARHANORY was born here.

In 2019, while travelling through the highlands of Kenya, founder AFK stumbled into a bar mitzvah for Maasai maidens. The cascading coloured beads around their necks shone in the firelight, the brass bracelets on their wrists tinkled with the dance, and ancient totems collided with modern vitality at this moment. At that moment, a thought was born: to dedicate the wild beauty of the African earth to all souls who are not willing to be mediocre.

The name ARHANORY comes from the combination of the Swahili words ‘Amani’ (peace) and “Dhahabu” (gold), which means ‘to transmit peace and splendour through jewellery’. Amani‘ (peace) and ’Dhahabu" (gold). We went deep into the tribes of Africa, collaborating with brass smiths in Ghana, glaziers in Ethiopia, and ostrich egg carvers in South Africa to deconstruct millennia-old craftsmanship into the language of contemporary design. Each piece is a dialogue between African stories and European and American minimalist trends.