ARHANORY Ladies Cubic Zirconia Bracelet Tennis Diamond Bracelets

This ARHANORY diamonds bracelet is dazzling. Featuring a copper base and square stones set in the corners to accentuate the crystal clear tone-on-tone crystals, this high-pressure style is a great way to show off your style. Pair it with other pieces from the ARHANORY collection for an elegant look.

Gold coloured copper finish, zircon setting
Net weight: 10g
Bracelet length: 18.5cm
Comes with a PU leather gift bag (printed with ARHANORY logo).
Suitable for birthday/graduation/valentine's day gifts
Warm Tips: Jewelry is easy to oxidize, please avoid wearing it when bathing or swimming.

PRODUCT STORIES

Star worship in the Bronze Tribe---In ancient Tuareg legend, the stars in the desert night sky are the embodiment of ancestral wis-dom. Based on traditional coppersmithing techniques, our designers have set 46 rectangular zirconia stones like Saharan stars, paying homage to the wis-dom of African nomads who have relied on the stars to guide them for millennia. This bracelet is not just a piece of jewellery, it is a wearable piece of cultural heritage.

BRAND STORY

Between the sunsets of the Sahara and the snows of Kilimanjaro, the continent of Africa has always throbbed with an untamed heart of fashion - and ARHANORY was born here.

In 2019, while travelling through the highlands of Kenya, founder AFK stumbled into a bar mitzvah for Maasai maidens. The cascading coloured beads around their necks shone in the firelight, the brass bracelets on their wrists tinkled with the dance, and ancient totems collided with modern vitality at this moment. At that moment, a thought was born: to dedicate the wild beauty of the African earth to all souls who are not willing to be mediocre.

The name ARHANORY comes from the combination of the Swahili words ‘Amani’ (peace) and “Dhahabu” (gold), which means ‘to transmit peace and splendour through jewellery’. Amani‘ (peace) and ’Dhahabu" (gold). We went deep into the tribes of Africa, collaborating with brass smiths in Ghana, glaziers in Ethiopia, and ostrich egg carvers in South Africa to deconstruct millennia-old craftsmanship into the language of contemporary design. Each piece is a dialogue between African stories and European and American minimalist trends.