ARHANORY Ladies Embrace Necklace

This ARHANORY Embrace Necklace is an elegant and sophisticated piece. The slender chain is crafted from gold-tone titanium metal, highlighting the human embrace pendant in the centre. A classic style novelty. Can be worn with other pieces from the ARHANORY collection.

Characters Embracing Pendant
Gold titanium steel finish
Lobster clasp
Net weight: 5.1g
Adjustable length: 40 - 45cm
Characters size: 2.5 x 1cm (L x W) 
Comes with a PU leather gift bag (printed with ARHANORY logo).
Suitable for birthday/graduation/valentine's day gifts.

This ARHANORY Embrace Necklace represents the ritual of love, from the everyday to the eternal.

PRODUCT STORIES

The Bantu Legend of the Twins---In an ancient fable from the Congo Basin, the sun god and the moon goddess are separated by a spell, and only lovers in true love can help reunite them. The design of this necklace is inspired by this - the gold figure represents the heat of the sun, while the silver figure symbolises the gentleness of the moon, and the delicate clasp design allows the wearer to interpret this myth of eternal love.

BRAND STORY

Between the sunsets of the Sahara and the snows of Kilimanjaro, the continent of Africa has always throbbed with an untamed heart of fashion - and ARHANORY was born here.

In 2019, while travelling through the highlands of Kenya, founder AFK stumbled into a bar mitzvah for Maasai maidens. The cascading coloured beads around their necks shone in the firelight, the brass bracelets on their wrists tinkled with the dance, and ancient totems collided with modern vitality at this moment. At that moment, a thought was born: to dedicate the wild beauty of the African earth to all souls who are not willing to be mediocre.

The name ARHANORY comes from the combination of the Swahili words ‘Amani’ (peace) and “Dhahabu” (gold), which means ‘to transmit peace and splendour through jewellery’. Amani‘ (peace) and ’Dhahabu" (gold). We went deep into the tribes of Africa, collaborating with brass smiths in Ghana, glaziers in Ethiopia, and ostrich egg carvers in South Africa to deconstruct millennia-old craftsmanship into the language of contemporary design. Each piece is a dialogue between African stories and European and American minimalist trends.