ARHANORY Ladies O Diamond Necklace

Elegant and sophisticated, this ARHANORY ‘O’ monogram necklace makes an elegant aesthetic statement. The slender chain is crafted in gold-tone finish metal, highlighting the “O” surrounded by white stones. Pair with other pieces from the ARHANORY collection.

Letter ‘O’ decoration
Gold copper finish
Lobster clasp
Net weight: 5.9g
Adjustable length: 43.5 - 48.5cm
Letter ‘O’ size: 1.5cm (Diameter)
Comes with a PU leather gift bag (printed with ARHANORY logo).
Suitable for birthday/graduation/valentine's day gifts.

Special Tip:

- Copper products will oxidise naturally with wear, forming a unique vintage effect

PRODUCT STORIES

A Modern Interpretation of the Cult of the Sun God---The circle is the symbol of Eng'ai, the sun god, representing life, eternity and divine power. This necklace, with the letter O at its centre, combines the ancient totem of the sun with a modern alphabetical aesthetic - the square zirconia set in the outer ring is like a fragment of sunlight, while the O in the centre is both a letter and a never-ending circle of life, paying homage to the continent's eternal worship of the sun.

BRAND STORY

Between the sunsets of the Sahara and the snows of Kilimanjaro, the continent of Africa has always throbbed with an untamed heart of fashion - and ARHANORY was born here.

In 2019, while travelling through the highlands of Kenya, founder AFK stumbled into a bar mitzvah for Maasai maidens. The cascading coloured beads around their necks shone in the firelight, the brass bracelets on their wrists tinkled with the dance, and ancient totems collided with modern vitality at this moment. At that moment, a thought was born: to dedicate the wild beauty of the African earth to all souls who are not willing to be mediocre.

The name ARHANORY comes from the combination of the Swahili words ‘Amani’ (peace) and “Dhahabu” (gold), which means ‘to transmit peace and splendour through jewellery’. Amani‘ (peace) and ’Dhahabu" (gold). We went deep into the tribes of Africa, collaborating with brass smiths in Ghana, glaziers in Ethiopia, and ostrich egg carvers in South Africa to deconstruct millennia-old craftsmanship into the language of contemporary design. Each piece is a dialogue between African stories and European and American minimalist trends.