ARHANORY Pendant Necklace A

Elegant and minimalist, this ARHANORY square resin necklace features a slim chain crafted from gold-tone finish metal and a pink resin pendant for a stylish finish. Wear it with other pieces from the ARHANORY collection.on.

Resin Alloy Square pendant
Gold metal finish
Lobster clasp
Net weight: 5.5g
Adjustable length: 42 - 47cm
Square pendant size: 1.4 x 1.4cm ( L x W )
Comes with a PU leather gift bag (printed with ARHANORY logo).
Suitable for birthday/graduation/valentine's day gifts.

PRODUCT STORIES

Eternal Mark of the Rift Valley Light---In the Maasai legends of the Rift Valley, the gods used sunlight to carve geometric totems into the rocks, recording the wis-dom codes of the tribes. This square pendant replicates the texture of the Rift Valley's rock walls - the resin surface is meticulously carved with a concave-convex pattern that resembles millennia-old deposits in the Rift Valley's strata, and when the sunlight passes over it, it reflects the light like the morning dew of the savannah, capturing the primitive beauty of Africa's earth in the hollow of your neck.

BRAND STORY

Between the sunsets of the Sahara and the snows of Kilimanjaro, the continent of Africa has always throbbed with an untamed heart of fashion - and ARHANORY was born here.

In 2019, while travelling through the highlands of Kenya, founder AFK stumbled into a bar mitzvah for Maasai maidens. The cascading coloured beads around their necks shone in the firelight, the brass bracelets on their wrists tinkled with the dance, and ancient totems collided with modern vitality at this moment. At that moment, a thought was born: to dedicate the wild beauty of the African earth to all souls who are not willing to be mediocre.

The name ARHANORY comes from the combination of the Swahili words ‘Amani’ (peace) and “Dhahabu” (gold), which means ‘to transmit peace and splendour through jewellery’. Amani‘ (peace) and ’Dhahabu" (gold). We went deep into the tribes of Africa, collaborating with brass smiths in Ghana, glaziers in Ethiopia, and ostrich egg carvers in South Africa to deconstruct millennia-old craftsmanship into the language of contemporary design. Each piece is a dialogue between African stories and European and American minimalist trends.